blind stitch releases bls001 & bls002 bundled up for one special price!

the reverend eddie bones is the esteemed american composer, pianist and instrument builder cooper-moore’s collaboration with the songwriter and artist ed pettersen. these two fresh interpretations of gospel songs are both featured in the new norwegian tv thriller pilot “the green jersey” which is directed by Øystein karlsen, the cult director of dag, lilliehammer, and was recently broadcast twice in norway.
no.2 in the valve mastered sevens series.
collectable, unique, supreme quality - this ever expanding series of carefully curated 7-s takes in cult heroes, underground gems, future stars - a true treasure trove of delights to explore in gearbox’s homage to the humble 45. expect direct-to-disc cuts, groundbreaking recording techniques, one-off collaborations.... all connected in one significant way: the purity, warmth and luxuriousness of an all-valve signal chain.
these valve mastered recordings feature gearbox’s vintage decca valve mixer in association with their haeco scully lathe with westrex ra1700 series amps, westrex 3diia cutting head, and telefunken u73b tube limiter.

following a series of standout releases on stateside imprint, astral plane, e.m.m.a returns to coyote records for the first time proper with new 12-, mindmaze / pumpkin emoji . having first provided a remix on spokes inaugural ep ( green eyes ) for the label back in 2015, e.m.m.a has since kick-started her angel food radio show on nts alongside aimee cliff, and also established producer girls — a nationwide workshop initiative aimed at helping aspiring women get into music production. on mindmaze , described by e.m.m.a. herself as medieval funky and originally made as a special for mumdance on rinse fm, she pokes fun at the club, going in sample-heavy and re-fixing anthemic windows 95-era melodies over a stampeding, heavyset 4x4 beat. -this tune is a homage to the encarta 95 cd rom-, she explains. on the flip meanwhile, pumpkin emoji references the glossy, crystalline textures and lo-slung 808 bass of early e.m.m.a. gems like 2014 s light years , a potent reminder of why she remains one of the uk s most innovative and quietly rebellious club producers. tracklist: 1. mindmaze, 2. pumpkin emoji.

the 2002 album from pearl jam, newly remastered from the original sources by bob ludwig. pressed on double vinyl, housed in a gatefold sleeve.

future music from new kanada s frontman adam marshall. sometimes its hard to categorize certain tracks and these ones are from outa space. it reminds me a lot of the time when we all discovered the first playhouse records from isolee, losoul and soylent green. magic moments which at first listen maybe not seem to work on the dancefloor because they are too challenging, but if you find the right moment they gonna work wonder…tip!

the pieces were created as structured improvisations using a monophonic synth (primarily) along with a yamaha dx7 (borrowed from a friend) and possibly a guitar. recording was made on an older otari mx5050 1/2 8 track. mixing was done on a tascam m-50 console and a revox a77 1/4 machine. i recall the project happened in two bursts: i did half of it in september 85, then i finished up and edited the album together in december 85. i dont really recall making copies for anyone. i think i played it for a dozen people and that was it. just forgot about it. i remember jeff ament from pearl jam (green river back then) came by while i had it playing on my home stereo. he asked what it was and said he liked it. surprised me a little. with regard to overall aesthetic: i like the sound of machinery, but i enjoy the fragility of human error and human instinct. i like to put things into motion then climb aboard and drive. i can’t play an instrument (in the classical sense) for the life of me, so i’ve always just played things that are mostly choice rather than a convolution of style and technique. i guess you call that the brian eno school of rock.

the last wrecks of the 2017 comes to you direct from the studio of alphonse, four tracks of bonafide and authentic hardware jams produced to the highest degree. managing to be both unconventional and familiar at the same time, this ep summarises the expertise and originality of an artist that is well versed in the history of electronic dance music. pressed on very special clear blue vinyl.

the 1978 album from judas priest back on heavyweight 180 gram vinyl

aa single from behind this wall. from london to the world.
abuja 336 is a collective led by bow-based vocalist jim caesar, violet hour dubs heavy on a psychedelic jam recorded during a moment of inspiration at villa lena, tuscany.
sega & chess is a collaboration between two artists unknown, catch the ‘night elm on mare st’ during the wee hours outside our bar after drinking too many shots of soju.
mixed at rushes studios in bethnal green. mastering by frank at the carvery.
artwork by david at shutupandance. illustration on aa by louie issaman-jones.

master p’s 1997 album ghetto d back on double vinyl.

if you want something done right, sometimes you just have to do it yourself. in a world filled with false gurus and misguided leaders, so goes the mantra of the new york duo walker & royce. after a swift rise in recent years during which time they pioneered a sound that is often imitated but never replicated sam walker and gavin royce have used this mantra as the impetus for their debut album self help, on their label home dirtybird. in order to grow, one often has to look inward, and the pair set out on a trail of self-discovery and advancement. their journey has resulted in a diverse album that evokes a range of emotion and fervor, one that can be appreciated both on the way to a club as well as feverishly dancing to it in one. walker & royces signature production is in exceptional form on their solo tracks, such as why tho, warkin it, best track ever and sunday. the way they contrast heavy, low-end bass and beats with pristine melodies arises from the first thing they ask themselves when they fire up their studio: will we play this? the pair has also continued to push the boundaries of their minted formula for a bigger purpose, enlisting several distinct vocalists and collaborators to captivating effect. the legendary green velvet lends his vocal talent to rub anotha dub, and longtime friend dances with white girls appear on two memorable tracks, including the hit single take me to your leader. other collaborators such as sophiegrophy, oncue, forrest and mr. jpatt each introduce their own individual elements to the album, rounding out the varied tones and feelings that comprise the self help masterpiece. the road to self-discovery is filled with many bumps and obstacles, but with self help, walker & royce have proven that theyve got the keys and in the driver’s seat

20 tracks from the limited event series on red & black double vinyl, housed in a gatefold sleeve with poster included.

der gefeierte produzent und remixer giraffage veröffentlicht sein debütalbum auf counter records!
zwei jahre lang hat der in san francisco beheimatete produzent giraffage in seinem schlafzimmer an seinem debütalbum gewerkelt, das von seiner persönlichen reise der selbstheilung erzählt, bei dem jeder song eine andere periode in seinem leben repräsentiert. kaleidoskopische beats und verträumte synth-pop- und r&b-melodien umrahmen das neue werk, bei dem japanese breakfast, body language’s angelica bess und viele andere mitgewirkt haben. der sohn zweier taiwanesischer einwanderer ist schon früh zur musik gekommen - einer deutlichen abweichung der sonstigen kulturellen erwartungen innerhalb seiner familie. doch schnell schaffte er mit ganz speziellen remixen seiner r&b-lieblingslieder, die im internet regelrecht explodierten, den aufstieg vom regional bekannten act, der bloß in kleinen auskennerblogs beachtung fand, hin auf die bühnen der weltweit größten festivals.
schwarzes 180g vinyl inklusive downloadcode.

(part 1 of 2) tribal rites is a musical autobiography of sorts from one of dance musics most dedicated historians, bill brewster.

this is a re-release of the famous red sleeve fleetwood mac greatest hits album. this record was a stalwart of every decent album collection in the early 1970s as it represented the first greatest hits package from fleetwood mac, covering the period from the band’s beginning in 1968 through to 1971.
pressing on 180 gram audiophile vinyl, housed in a gatefold sleeve.

rezz s involvement in the toronto scene helped grow her gritty style. events like bassmentality and older shows at the legendary guverment helped shape not only rezz, but an era of electronic music producers who became inspired from early dj college tours. mass manipulation is a commentary on how easily our minds can become manipulated by the things we consume in society. we consume heavily through the media, which, in turn, tries to curate our thoughts and dictate how we as humans are supposed to live and behave. this album plays off this idea and invites people to become hypnotized, allowing their brains to be manipulated by my music in the hope they might see things through a new perspective (perhaps an outer world viewpoint). one where everyone is free from the unrealistic expectations planet earth has drawn for them. a world of acceptance and hypnosis.

mark and clive ives have been prime examples of the second life reissue culture can give previously under-appreciated artists, and emotional rescue have been one of the key labels to support the enigmatic brothers from london. as with previous reissues, -a la luna- presents the delicate, naive yet deep sound of woo across a long form album that invites you on a curious journey of discovery. with a melodic instinct bordering on exotica, and unique range of instruments in the sound palette and a dreamlike approach to processing, there s nothing out there that sounds quite like woo, and as ever it s a joy to delve into their sound world and leave more earthly familiarities behind.

it’s been four years since zach saginaw, aka shigeto, returned home to michigan from a stint in brooklyn, ny, and since then, the multi-faceted musician has become a part of the fabric of detroit’s music scene. while always having a personal approach to his projects, saginaw’s influences for his third album, the new monday are more about the community of detroit than anything else. named after a weekly dj event called monday is the new monday that saginaw does at the unassuming motor city wine with a group of friends, the new monday is the result of saginaw diving into the city’s deep record culture, where there legacy of artist’s of the past help saginaw embrace his own contributions.

home recorded above a lawyers office and next door to a brothel, the retrospective is lead by the earth shattering digi stepper rock steady. originally intended for an abandoned dub album, rock steady and fantasy dub were saved from the cutting room floor by australian cd-only compilations on creative vibes and vital collective clan analogue, while green river was never released. now demanding wider appreciation, the dubs finally find union with green man’s new york hip hop/dancehall style, lifted from his second solo album the blue hour vol. 3: deep blue. humbly excelling in all electronic forms, rantzen helped guide techno-rave duo itch-e & scratch-e through the 90s with paul mac. winning the inaugural best dance release category at the 1995 aria awards, mac thanked all of sydneys ecstasy dealers, without whom this award would not be possible, while rantzen stayed at home. the two would also operate incognito as boo boo & mace and screensaver, often collaborating on looney dubs with sheriff lindo - the master of seismic shocks down under. rantzens earliest work stretches back to pelican daughters, an ensemble who proliferated industrial-leaning ambient and tape loop experiments

two of the best tracks off the brasileira lp get an updated dancefloor treatment by selvagem, carrot green and joakim. those who experienced listening to the original maria rita version of cantico brasileiro nº3 (kamaiura) on the dancefloor know it s such a thrilling experience that could only be better if the song was a bit longer. at the same time, it didnt make much sense to mess with the original. having these thoughts on their minds, the selvagem boys augusto olivani and millos kaiser (the minds behind selva discos) had an insight while discussing the reissue of the brasileira material with singer maria rita stumpf: why not hit the studio and remake the track? also, why not ask someone like joakim, known for his exquisite taste and brilliant production skills, to remix lamento africano/rictus? it would be the perfect package.

the 2nd release on dischi autunno is the 1st album of the magic ray, new project of established artist fred bigo aka electronicat. the album is produced by cosmo vitelli.

on the spectrum does, new york avant-rock musicians che chen and robbie lee create three earthy and slow moving pieces, informed as much by various global folk traditions as they are by 20th century composition and improvisation.their ‘anything goes approach to improvising leads to a sonic document that sounds raw, intense and freshly exciting. a wild and shambolic brew sounding like nothing else.

one of detroit’s best kept secrets, rick wade has been producing late night tracks and tapping into the essence of deepness since the 90’s. known for their universal appeal and appearing on over 20 different labels worldwide, soulful, timeless grooves are his signature. growing up in buchanan mi, 1 hour outside of chicago he was influenced by chicago radio station wbmx and the salsoul material and local stations that played the likes of al green and isaac hayes. in 1993 rick and dan bell started harmonie park to release house material and in 1995 rick started another label bass force primarily as an outlet for the booty / bass material that he records under the big daddy rick moniker. this time rick brings us “the depth charge ep”, three tracks of lavish organic deepness, with jazzy rhodes-chords, strings, trumpets, warm lush big sounding pads, combined with soulful vocal samples and crisp beats. london’s westlake72 contributes with a stunning remix of “be there”, injecting a fierce disco groove and vibe.

the debut album from atcq, originally released in 1990, back on double 12 inch.

dutch dj, producer and dekmantel family member young marco kicks things off with a beautiful, melodic, waterfall of a track. it’s a record you’ll want to play out on a yacht, while sipping on a rosé under the warm, afternoon sun. 2017 has been nothing short of an epic year for marco, having already compiled the second in the selectors compilation series for dekmantel, in addition to having released the second lp as gaussian curve, alongside gigi masin, and johnny nash. marco is in good company, as dutch-based artist suzanne kraft crafts a delightful, ambient-meets-house, summer groove, that lives at the most relaxed of paces, sitting side-by-side on the a-side. flip the record over and dekmantel favourite, and dutch house institute tom trago finds himself in a moment of blissful summer haze, with soft, sonic-pallets and waving melodies. concluding the record is long serving dekmantel mainstay, and rednose distrikt main-man awanto 3 with an analogue, and feel-good, electro-beat rhythm.

zum zwanzigjährigen label-jubiläum: kollektiv produzierte künstlerinnen-werkschau. das doppel-vinyl enthält acht bonustracks und erscheint im klappcover, downloadcode inklusive.

tafi allstars is a collaborative recording project between optimo music artists thomas lea clarke (mr tc) and conal blake (whilst) and members of the tafi cultural institute of tafi atome, ghana. after having previously visited tafi atome to take part in the music of the volta region study tours that are organised by tci in collaboration with green door studio, clarke and blake secured funding from creative scotland to travel back to tafi in november 2016 to record a mini-album of tracks that blend the rhythms and melodies of traditional borborbor and agbadza drumming forms and ewe songwriting with electronic instrumentation and dub recording techniques.

limited to 250 handstamped copies! mm discos strikes back again with a new edit compilation.

20 tracks from the twin peaks limited event series on 180 gram double vinyl, housed in a gatefold sleeve.

“soldier” is iggy pop’s fourth solo studio album, released in 1980. for the album iggy collaborated with ex-sex pistols bassist glen matlock. david bowie and simple minds provide backing vocals on “play it safe”. videos were made for the songs “loco mosquito”, “knocking em down (in the city)” and “dog food”.
first pressing of 1000 numbered copies on clear green/black mixed 180 gram vinyl.

the jazz break beats that made hip-hop hits - digitally remastered, pressed on coloured vinyl, housed in gatfold sleeve with download code included.

limited edition of 500 hand numbered copies on 180 grams vinyl, first 200 copies are transparent / green splattered.
the label is called spettro (the word has two meanings in italian, it means “spectrum” but also “ghost”) and the releases will be split in two series : spettro library and spettro soundtrack - this is spettro library!

panic! at the disco präsentieren 2017 ein reissue ihres zweiten albums »pretty. odd.«, und zwar auf vinyl.
das album erschien ursprünglich bereits am 25. märz 2008, und zwar wie sein vorgänger bei pete wentz’ label decaydance records.
aufgenommen wurden die 15 titel von »pretty. odd.« im studio at the palms in paradise in nevada. um die produktion kümmerte sich rob mathes in den londoner abbey road studios.
bei dem album handelt es sich um das einzige, an dem bassist jon walker mitwirkte. gleichzeitig ist es das letzte, auf dem sänger und leadgitarrist ryan ross zu hören ist. beide verließen die band 2009.

dj support: faltydl, josey rebelle, mosca, zinc, foul play, stenny, west norwood cassette library, warlock, mr.beatnick, adam marshall, xxxy, teed, konx-om-pax, photonz, jerome hill, mark archer, n-type, happa, doc scott, ryan elliott, jakwob, shenoda, hrdvsion, tim parker, franklin de costa.

top tip for boards of canada fans! gorgeous isolation wrapped in electric memories. 8-track electronica for homesick time travelers. nothing left to abandon is a slow rendering of brooding introspections and imaginary spaces. memories, visions, eroded philosophies, tragedies in a few words. a childhood of livid skies, barren escarpments, homeless wastes. an absorbing contemplation of unlikely beauty and dusty melancholy that intersects with the creative territories of vangelis, boards of canada, klaus schulze, and ulrich schnauss, and the musings of joe frank and robert ashley. clocolan is south african-born composer emlyn ellis addison. a long formal training in music, his work centers on original writings and the found sounds of abandoned ideologies--generations of radicals and skeptics searching for meaning. from his childhood in south africa--a landscape of neglected hinterlands, eroded topology, unconquered vastness--emerged clocolan s homesick, lo-fidelity electronica, expansive themes lost in the background noise of human affairs.

the super sounds of the seventies is a selection of seminal and sometimes wacky hits by artists such as stealers wheel, harry nilsson and joe tex. the movie also raised public interest in the dutch band george baker selection, due to the use of his “little green bag” in the film’s opening titles.
keep on truckin !
limited 25th anniversary edition pressing of 3.000 numbered copies on ear bleeding red 180 gram vinyl.

fort romeaus second outing for running back is another exercise in dance floor synthesis. starting where its predecessor saku left us with the green shimmer of a fairlight, emulators you might have guessed it greets us with the grey realism of an e-mu ii. purchased first by none other than stevie wonder, immortalised in ferris buellers ode to absenteeism and the original loon sampler, there is nothing this machine cannot do for you the same goes for fort romeau. his disco-informed, trance-induced tracks that usually end on a high note, are elevated by ambient soundscapes that end with a bang and sugarcoat your warm-up slots, while bird-heavy bonus beats that stand up on their own or help you out in the mix. nice like a stick of liquo-rice.

robbie williams swingt wieder. auf -swings both ways- präsentiert er pop-klassiker als swing-versionen und liefert dazu eine reihe neuer songs. für die neuen stücke hat er sich (endlich) wieder mit guy chambers zusammengetan, mit dem er schon früher erfolgreiche hits produziert hatte.

2016 was a banner year for dirtybirds founder, claude vonstroke. he debuted his get real alias with green velvet in the winter, and followed up with another number one single in the spring with the rain break. he celebrated the 10th anniversary of whos afraid of detroit to kick off the summer, and finished in the fall by being crowned americas best dj by pioneer at a ceremony he shared with all the fans at the dirtybird campout. after a relentless touring schedule the first half of 2017, claude hit the studio with a couple ace producers, will clarke & sébastien v to collaborate on two giant singles for the works well with others ep. tiny tambourine is the product of will clarke & claude working together. its a bit of a misnomer, as tiny is the last word to describe the heavy bassline which starts to form immediately at the tracks outset. continuing to build over crisp and heavy beats and outbursts of drama before dropping back to the burly bassline, the result is monstrous. will clarke has been on a dirtybird hot streak having released 3 solo eps, 5 singles, an appearance on justin martins album, as well as a brand new collab with shiba san on the bbq compilation and a full takeover on the birdhouse radio show. on the flip side, claude teams up with one of dirtybirds freshest talents, sébastien v, for daylight dark room a light, melodic tone contrasts with a dark and funky acid resonance to create a truly unique masterpiece. the mysterious sébastien v was also featured on the dirtybird bbq compilation with his super-hot track funkulate, and there are rumors floating around that he is actually someone from the core dirtybird roster sporting a secret alias.

nice price deal !!! mixes by luca cassani, gambafreaks, holly dj, babert and rudeejay

produced by david byrne and featuring 5 new songs by the talking heads legend and will bonnie prince billy oldham, pressed on double 12 inch vinyl in gatefold cover, this film soundtrack is set to become a cult classic.

the critics were unanimous in their praise of the music on this legendary dutch only philips jazz lp from 1971, recorded at vara studios hilversum and produced by joop de roo, preceding the performance of the same compositions at jazz festival loosdrecht. excellent all star band with unreal line up: 17 top musicians from different countries featuring benny bailey, herb geller, ack van rooyen, jiggs whigham, frans elsen, rob madna, cees smal, rob franken, tony coe, rick kiefer and tony inzalaco, conducted by jerry van rooyen, first reissue, remastered 2009, comes with extensive new liner notes.

japanese re-issue of this lost jamaican soul gem. billy cole is the alter ego of reggae legend, winston francis. tip! (please note, soundfiles sourced from different sources, the sound on the lp will be consistent)

turn on, tune in drop out to the groovy sounds from the summer of love. limited pressing on red coloured vinyl.

medical records presents another gem with an expanded reissue of the last flowers from the darkness by mr. mark van hoen.

the mission’s 1992 album back on 180 gram vinyl with download code included.

nice price deal !!! nice price deal !!! nice price deal !!! das innovative rap-duo aus der vitalen hip hop-szene in oakland, kalifornien hat mit wegbereitern wie clams casino, a$ap rocky oder lil b das neue genre cloud rap hervorgebracht.
inklusive code für kostenfreien mp3-download des albums.